Saturday, August 20, 2016

New blog post about a new piece of work

Diorama 3-d stage set combining sculpture and printmaking

Over on my studio blog, I've just posted a piece with lots of photos, detailing some of the intricate work involved in making a new 3-d piece of work for my next exhibition: link here.

Tuesday, August 9, 2016

New Vincent Van Gogh Site on Artsy

Jpeg image of Van Gogh page
Artsy's Vincent Van Gogh home page
It's just come to my attention that Artsy, the online resource for art collecting and art education, has a page/site devoted to Vincent Van Gogh. I spent a few minutes looking at it and clicking through on some of the links, and it seems to be a museum-quality presentation of the life and work of the great Dutch Post-Impressionist painter, and which includes a running summary of every art exhibition at any one time that contains works by Van Gogh.

Worth looking at it if you're a fan of Vincent Van Gogh's work (and let's face it, who isn't?).

Tuesday, August 2, 2016

Painter William Eckhardt Kohler at Linda Warren Projects

Painter William Eckhardt Kohler contemplates his exhibition at Linda Warren Projects

William Eckhardt Kohler is a painter who lives in New York City, though he still retains a base in Chicago where he lived and worked for many years. I met up with him at Linda Warren Projects a few weeks ago, to talk about two shows that he has installed there (on display until August 13th 2016). One is a show that he curated himself, called New York; New Friends, and it comprises one of his own paintings in company with paintings and sculptures by artists from New York with whom he shares an affinity, not so much in the handling of the medium of paint, but in their dedication to its continued expressive possibilities.

Oil painting on linen by William Eckhardt Kohler at Linda Warren Projects
"Knock", oil on linen, 60" x 48", 2015
His particular mastery of oil paint on canvas is in full evidence in the gallery containing his own paintings. Collectively titled Alchemy+Elements, his paintings are typically four feet to six feet on their longest side, and work from the first lay-in up to the final overlaying of thicker forms in a classically structured surface, despite their semi-abstract content. Go in close, and you see thin washes of paint, then more solid brushwork, then impasto, then his second and third thoughts, with scrapings-off and addings-on, all coalescing in forms that hint at representational elements (doorways, ladders, boats, seascape) but which exist in a creatively tense space between pure enjoyment of the sensuality of oil paint and gestures in the direction of narrative meaning.

Oil painting by William Eckardt Kohler semi-abstract highly colored
"The Queen's Canopy", oil on linen, 36" x 48", 2016
We talked for more than an hour about these matters, and his habit of piling up forms in the centre of the picture, and his use of high-keyed colour and contrasting black. We spoke about the Chicago and New York art scenes, the future of the gallery system, and what artists learn as they grow older. It's a long-established facts that artists don't need to be personally all that interesting in order to produce good work. But in the case of Kohler, his paintings show a mixture of intellectual complexity and directness that happen to coincide with the man.

If you live in Chicago, you have just under two weeks to experience one part of this equation for yourself.

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