Praeterita

"in their clothes", branches, shrink wrap, tape, 12' x 18' x 14', 2015 Oak Park, famous as the home of the young Ernest Hemingway and the slightly less young Frank Lloyd Wright, is a separate township about ten miles due west of downtown Chicago, though it merges almost seamlessly with the city in a way that makes you feel you’re visiting a leafy Chicago neighborhood. Speaking of leafy, Josh Garber ’s installation at Terrain , Oak Park, consists of tree branches and limbs connected by shrink wrap and tape that clamber up off the ground and claw spikily at the air, denuded of foliage but seemingly revivified into a new stage of growth. Titled “in their clothes,” the sculpture is 12 feet x 18 feet x 14 feet, and is placed like all of the exhibitions at Terrain on the streetside lawn between two houses, opposite a local school and open to all weather which on the day I visited was warm, but not enough to melt the piles of surrounding snow. The whiten

Since I merged two studios into one last year, I've gradually been going through crates of etched steel and copper plates that I've amassed over the years, unwrapping them from their protective layers, cleaning the rust-proof gel off them, and seeing if any of them can be reused. (When I first started to learn intaglio processes in the 90s, large sized copper plates could be had for about $10 each. Now they cost more than $50, because of the rapacious demand of the smartphone industry.) The plate in the photo above is 12" x 14". I covered it with an acrylic resist called Z*Acryl, and drew the image with a drypoint needle. As I was drawing, I noticed that the line wasn't clean and straight, but slightly fuzzy. When I etched the plate in a tray of ferric chloride, I could tell that the lines were not going to be narrow and thin, which holds the ink in a more uniform way. My first proof of the plate after I'd cleaned off the resist, inked it, and print

From last Thursday through yesterday, Sunday, I had a weekend that was filled with lots of good art, and a feeling of advancing significantly with my own work. The fact that the clocks went forward in the USA and that the temperatures rose after a horrible February helped, too. First was the A+D gallery, for a group show called Scaped that included an artist whose work I know, and whom I am acquainted with personally: Neha Vedpathak . I met her via the Paul Klein art advisory seminars, and her stunning work is in good company in this show organized by curator MK Meador. Neha is an artist who is clearly going somewhere big, so make note of her name now. Next, on Saturday, I had a great studio visit with curator Teresa Silva , who is writing a catalogue essay for my upcoming show at Corner . It's not just that she's a great person to talk to: she says things that reflect your work back to you in a way that makes you subtly improve it.  On Sunday, I met someone w