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On what Jackson Pollock teaches us

There’s a student in my Journal & Sketchbook class who produces these ornate automatic drawings in a constant outpouring of mark-making. He always uses black pen, but after a conference last week in which I suggested that he use colour, he’s started doing drawings with coloured pencils. It’s clear he’s discovered new things, among them the realization that you can overlay shape on shape when you move to a different colour. The latest things that I saw in his sketchbook reminded me of de Kooning, or maybe early Jackson Pollock. J&S student automatic drawing The obvious point of comparison is the looping movement of the lines, all over the picture plane, and the way that the abstract swirls and scribbles at certain stages trigger recognition in the mind, making the hand add representational elements, such as eyes or faces. Pollock’s earlier work, just before he broke completely into the world of Action Painting, does this all the time—inserting symbols of the real world into ...