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Water Towers and Kevin Swallow's Urban Landscapes

"Andersonville Water Tank," oil on canvas (click to enlarge) As a foreigner living in the United States, I can attest that one of the most striking features of the urban landscape in America is the water tower. European cities may have walls built by the Romans, medieval palaces, and grand eighteenth-century neo-classical boulevards, but as far as I’m aware you can’t look up from a street in Paris, Rome, or London and see these giant wooden cylinders with their little caps, standing on a rickety framework and silhouetted dramatically against the sky. The Chicago water tower, for example, may have been referred to by Oscar Wilde as “a castellated monstrosity with pepper boxes stuck all over it,” but it is revered in the city as one of the few buildings to survive the Great Chicago Fire of 1871, and it’s just one of several hundred that are still dotted around the city. A century ago, almost every apartment building had a water tower sitting atop the roof. As modern pl...

Six of the Best, Part 25: Kevin Swallow

Part 25 of an interview series in which I invite artists to respond to six questions about art, process, and creativity  (previous interviews:  1 ,  2 ,  3 ,  4 ,  5 ,  6 ,  7 ,  8 ,  9 ,  10 ,  11 ,  12 ,   13 ,   14 ,  15 ,  16 ,  17 ,  18 ,  19 ,  20 ,  21 ,  22 ,  23 , 24 ). Kevin Swallow is a Chicago painter and printmaker who works in several subjects at once, mainly depicting the urban landscape (I have to confess that I own one of his screenprints). If you are in Chicago on March 22nd, you can see Kevin's work at an open studio event in the Cornelia Arts Building , on Chicago's north side. "Golden Lights," oil on canvas, 30" x 24", 2013 Philip Hartigan : What medium/media do you chiefly use, and why? Kevin Swallow : I spend most of my time painting. For a long time I used acrylics and recently started using oils. I also work in photography ...