Praeterita

  Body Female - A Self Portrait, 2012 The Tucson Museum of Art is currently displaying works by Monica Aissa Martinez in an exhibition titled Nothing in Stasis. The description of the exhibition states Martinez uses line, shape, space, and color to represent the complex connections between body, mind, and spirit. She is drawn to the language of myth and symbol, feminine and masculine, emotion and logic, circle and line, horizontal (heavens and spirit) and vertical (earth and body), finding beauty in the systems and organization of living things. Which seems to cover every possible way of making art. The things that are most immediately applicable from the museum-speak are the technical means of making the pieces - huge banners of paper covered with intricate spiraling and crossing lines, and washes of pigment - and the systems of living things. The central figure in each piece echoes the anatomical cross-sections of medical textbooks. But the internal structures are overlaid with patte

  Empty Dreams, etching, aquatint, softground, experimental technique, 15 cm x 10 cm, 2018 Part 46 of an interview series in which artists reply to the same six questions. Saeedeh Golriz is an Iranian printmaker, living in Iran. She mentions that she once wanted to be a chef --- appropriate to the art of printmaking, which is a similar process of combining different elements in often long recipes to produce the finished piece. Both are a form of alchemy, and as you can see by Saeedeh's work, she is an expert printmaking alchemist who makes haunting and accomplished prints. You can see more of her work here . PH: What medium/media do you chiefly use, and why? SG : Printmaking, more specifically etching and aquatint, I enjoy the creative parts of it, both when I am in control of the process and also the unexpected surprises that come along the way. I can plan the whole design, but there will be unpredicted elements to it, which is perfect for my taste. PH: What piece are you current