- If you want to be an artist (a writer, say, or a painter), the first step is to write or paint as often as you canāno excuses.
- Before showing your work to a publisher or gallery owner, make sure that they publish or show your kind of work.
- Before showing your work to a publisher or gallery owner, make sure that the work is as good as it can be. In other words, revise, rework, refine.
- The old clichƩ is true: who you know is just as important as what you know. So get out and meet people.
- When you approach people sincerely to ask advice (as opposed to thrusting your manuscript/slides on them when youāve never met them before), most people will be willing to talk to you.
- Having well-made publicity materialsāa postcard or a brochure with some images and information on itāmakes you stand out from the pack.
- Being with people who are more talented than you is helpful, not hurtful. Before I went to art college, I tried to do all of the above things on my own, without help from anyone. When I went to art college, I recognized straight away that there were a couple of people who were far more talented than the rest of us. Instead of feeling bad about it, I tried to learn as much as I could from how they made their work, how they started their work, how they developed their work over the length of the course.
- Concentrate on one or two ideas in your work, and keep working at them for as long as you can. If you completely change your style every few months, or even every year, this is a sure sign that youāre not sticking at it for long enough.
- Donāt be realistic. People always say ābe realistic: not everyone makes it big as an artistā. Perhaps thatās true, but Iāve found that itās better to aim as high as you can in order to put yourself in the right frame of mind to achieve your ambitions.
- Always use a bigger brush than you think you need.
I've just finished restoring and assembling my large etching press -- a six week process involving lots of rust removal, scrubbing with steel wool, and repainting. Here is a photo of the same kind of press from the Chicago Printmakers Collaborative: And here is a short YouTube video of me testing the press, making sure the motor still works after nearly seven years of lying in storage: