A Dedicated Woodcut Artist

Karen Kunc is an artist living in Nebraska who has been making prints and artist's books for more than 25 years. Her chief medium is woodcut, which she combines occasionally with other media to create these striking, beautifully coloured images that are derived from natural forms but developed into her own personal abstract language.

Whether in book or as an editioned print, her work always has a balance of multiple elements within the picture space, small shapes overlaid with larger shapes, geometric forms and organic forms, straight marks against flowing marks. Sometimes she inks all the colours on one block, and at other times (I'm guessing) she makes an image by overprinting two or more woodblocks.

Her books are true exemplars of the form, particularly the accordion fold:

I've known about her work for a long time, but recently I saw one of her books again in The Book as Art, which a friend lent to me. If you go to her website, you'll see hundreds of pictures of her work, and very little pure repetition. Looking at her prints reminds me that great results can come from the combination of essentially simple elements.

Restoring my Printing Press

I've just finished restoring and assembling my large etching press -- a six week process involving lots of rust removal, scrubbing with steel wool, and repainting. Here is a photo of the same kind of press from the Chicago Printmakers Collaborative: And here is a short YouTube video of me testing the press, making sure the motor still works after nearly seven years of lying in storage:

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Brancusi in Plastic

Artist Mary Ellen Croteau is showing these columns made from recycled plastic cartons and lids in the window of the Columbia College bookstore on Michigan Avenue. They are a playful homage to Brancusi's "Endless Columns", with a serious environmental message for our times: Image copyright Inhabitat.com and Mary Ellen Croteau Mary Ellen also runs a wonderful experimental art gallery in a window space in west Chicago, called Art on Armitage . I will be exhibiting a mixed media piece there during August 2012.

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How to etch a linoleum block

Linoleum as a material for printmaking has been used for nearly a hundred years now. Normally, you cut an image out using special gouges similar to woodcut tools, cutting away the lino around the image you want to print. This is called relief printmaking, because if you look at the block from the side, the material that remains stands up in relief from the backing material. You then roll ink with a brayer over the surface of the block, place paper over it, and either print by hand or run it through a press. You can do complex things this way (for example, reduction linocuts), but the beauty of the process is that it is quick, simple, and direct. Incised lino block, from me.redith.com Etched lino block, from Steve Edwards A few years ago, I saw some prints that were classified as coming from etched linoleum blocks, and I loved the textures I saw in them. In the last few months, I've been trying to use this technique in my own studio, learning about it as one does these d

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Praeterita

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