Skip to main content

Blogging about Teaching Blogging

This is the photo that I always project before the class.
Nine days ago I taught two classes about the mechanics and craft of blogging to twelve adults at the Interlochen College of Creative Arts. The first class, which I've taught several times before, was a day long session exploring the ins and outs of creating a blog, playing with the layout and template, establishing a preliminary design, using Google's Blogger app. The second class was a new one called Crafting Great Content, in which I took my years of blogging and put them together with the creative writing and process classes that I have taught at Columbia College and elsewhere. I hope the result was satisfying to the participants. I think that the combination of direct advice and the sort of generative, in-class writing that I've learned to use at Columbia led them to explore some new ways of writing in a blog. I will be very interested in getting feedback from their evaluations, so that I can tweak the class format if necessary.

One person wrote a hilarious anecdote that she said she's been telling for years, and decided for the first time to write about during the class. She sent me a link to her blog, and here is a link to the blog post that resulted from the in-class writing: Be careful when you tell that story.

Here is another good use of the short blog post, ending with a question, by someone else who took the class: Winter won't break me.

Comments

Popular posts from this blog

Brancusi in Plastic

Artist Mary Ellen Croteau is showing these columns made from recycled plastic cartons and lids in the window of the Columbia College bookstore on Michigan Avenue. They are a playful homage to Brancusi's "Endless Columns", with a serious environmental message for our times:

Mary Ellen also runs a wonderful experimental art gallery in a window space in west Chicago, called Art on Armitage. I will be exhibiting a mixed media piece there during August 2012.

Restoring my Printing Press

I've just finished restoring and assembling my large etching press -- a six week process involving lots of rust removal, scrubbing with steel wool, and repainting. Here is a photo of the same kind of press from the Chicago Printmakers Collaborative:


And here is a short YouTube video of me testing the press, making sure the motor still works after nearly seven years of lying in storage:


How to etch a linoleum block

Linoleum as a material for printmaking has been used for nearly a hundred years now. Normally, you cut an image out using special gouges similar to woodcut tools, cutting away the lino around the image you want to print. This is called relief printmaking, because if you look at the block from the side, the material that remains stands up in relief from the backing material. You then roll ink with a brayer over the surface of the block, place paper over it, and either print by hand or run it through a press. You can do complex things this way (for example, reduction linocuts), but the beauty of the process is that it is quick, simple, and direct.


A few years ago, I saw some prints that were classified as coming from etched linoleum blocks, and I loved the textures I saw in them. In the last few months, I've been trying to use this technique in my own studio, learning about it as one does these days from websites and YouTube videos. I've also had email exchanges with several pr…