Artist Philip Hartigan talks about art, interviews other artists, and more
Subscribe to this blog
Follow by Email
Search This Blog
Art in the Desert
I was in the Tucson Museum of Art last week, a compact building with an inner ramp that goes all the way from below ground to two storeys above street level. It's similar in that respect to the Guggenheim museum in New York. The last time I visited, in 2005, I remember seeing lots of paintings of cowboys, and then a Mark Rothko, which was a jarring juxtaposition. This time, there was an engrossing exhibition of art featuring the face and the body, from a private collection. On display were many great prints, all the way from Goya in the early 1800s to 1960s artist James Rosenquist.
The first one that caught my eye was this beautiful, haunting woodcut by printmaker Leonard Baskin, one of my favourites.
Artist Mary Ellen Croteau is showing these columns made from recycled plastic cartons and lids in the window of the Columbia College bookstore on Michigan Avenue. They are a playful homage to Brancusi's "Endless Columns", with a serious environmental message for our times:
Mary Ellen also runs a wonderful experimental art gallery in a window space in west Chicago, called Art on Armitage. I will be exhibiting a mixed media piece there during August 2012.
When so much of making work as an artist involves slogging away in a room with no idea if it's ever going to be seen by the world outside, it's satisfying when a little success comes your way. I am very proud that two of my handmade books were acquired recently by the Joan Flasch Artist's Book Collection at the School of the Art Institute, Chicago. This collection is one of the most renowned collections of books made by artists in the United States, so it's a huge honour to be included.
Here is one of the pieces, an interleaved slit accordion fold of two etchings:
And here is the other, a heavily collaged accordion book bound together by sisal:
Each piece is now being catalogued and digitized, and at some point in the future they will be on display at the library, possibly in the company of books by artists such as Joseph Beuys:
And Richard Tuttle:
I have paintings in my studio that are six feet square, yet it's these two small books that have given m…
I've just finished restoring and assembling my large etching press -- a six week process involving lots of rust removal, scrubbing with steel wool, and repainting. Here is a photo of the same kind of press from the Chicago Printmakers Collaborative:
And here is a short YouTube video of me testing the press, making sure the motor still works after nearly seven years of lying in storage: