Dessins de Paris: 2

I saw this chap on the Paris Metro, travelling on line 13 between Gaite and Champs Elysees. He boarded the train at Bir Hakeim, the stop closest to the Eiffel Tower. He looked run down and ragged, possibly homeless, but certainly one of the people who hop on and off the metro to beg for money in different carriages. This man didn't do the most common thing you see, which is to give his well-rehearsed hard luck story in a loud voice while he passes along the carriage with an upturned hat in his hand. The man in this drawing was singing a song, I think it was an old chanson like you would hear from the 1950s. I didn't recognize all of the words, but it was something about walking through the rain and being in love, and his voice was exceptionally good, a strong baritone with a nice tone, perfectly in tune. His face was covered in patches of bad skin, like he had been sleeping rough in cold weather, or maybe they were burns. But the voice that came out of that horrible exterior was beautiful, and genuinely touching.

Also, when the train leaves Bir Hakeim, it crosses the Seine about a minute later, affording a stunning view of the Eiffel Tower. I won't quickly forget this moment when I heard this lovely voice as I saw this grand sight.

(Drawing medium: neocolor water soluble pastels in 8" x 8" Fabriano sketchbook)

Restoring my Printing Press

I've just finished restoring and assembling my large etching press -- a six week process involving lots of rust removal, scrubbing with steel wool, and repainting. Here is a photo of the same kind of press from the Chicago Printmakers Collaborative: And here is a short YouTube video of me testing the press, making sure the motor still works after nearly seven years of lying in storage:

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Brancusi in Plastic

Artist Mary Ellen Croteau is showing these columns made from recycled plastic cartons and lids in the window of the Columbia College bookstore on Michigan Avenue. They are a playful homage to Brancusi's "Endless Columns", with a serious environmental message for our times: Image copyright Inhabitat.com and Mary Ellen Croteau Mary Ellen also runs a wonderful experimental art gallery in a window space in west Chicago, called Art on Armitage . I will be exhibiting a mixed media piece there during August 2012.

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How to etch a linoleum block

Linoleum as a material for printmaking has been used for nearly a hundred years now. Normally, you cut an image out using special gouges similar to woodcut tools, cutting away the lino around the image you want to print. This is called relief printmaking, because if you look at the block from the side, the material that remains stands up in relief from the backing material. You then roll ink with a brayer over the surface of the block, place paper over it, and either print by hand or run it through a press. You can do complex things this way (for example, reduction linocuts), but the beauty of the process is that it is quick, simple, and direct. Incised lino block, from me.redith.com Etched lino block, from Steve Edwards A few years ago, I saw some prints that were classified as coming from etched linoleum blocks, and I loved the textures I saw in them. In the last few months, I've been trying to use this technique in my own studio, learning about it as one does these d

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Praeterita

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