Skip to main content

My best open studio

The best open studio for artists is the one where they sell a lot of work. I mean, really, what else would qualify? Maybe having Person Famous in the 1970s come through the door and respond very positively to a series of etchings (actually happened). (Although he also left without buying anything, so...)

But I would say that one of the best open studios (the second best one, perhaps) was the one where I premiered a six minute stop motion animation film. Here in fact is a clip from that film:

I worked on it for six months in 2013. It was the first thing I completed in my new studio in the Cornelia Arts Building. I felt the need to explore subject matter and imagery related to my childhood in an English mining town, but in a medium other than painting or printmaking. A medium where you could tell more of a story, a continuous narrative as opposed to a static moment.

I was pleased with the film, and invited people to come and see it for the first time in an open studio at the beginning of 2014. A group of people came along and gathered in front of the monitor I installed on one wall especially for this "premiere." The guests were old friends, new friends, strangers walking through for the open studio, and artists from the Chicago community whom I deeply respect.

The response was very positive, which was gratifying. But more important was the good feeling and positive feedback from my artistic peers. That's something that money really cannot buy.


Popular posts from this blog

Brancusi in Plastic

Artist Mary Ellen Croteau is showing these columns made from recycled plastic cartons and lids in the window of the Columbia College bookstore on Michigan Avenue. They are a playful homage to Brancusi's "Endless Columns", with a serious environmental message for our times:

Mary Ellen also runs a wonderful experimental art gallery in a window space in west Chicago, called Art on Armitage. I will be exhibiting a mixed media piece there during August 2012.

How to etch a linoleum block

Linoleum as a material for printmaking has been used for nearly a hundred years now. Normally, you cut an image out using special gouges similar to woodcut tools, cutting away the lino around the image you want to print. This is called relief printmaking, because if you look at the block from the side, the material that remains stands up in relief from the backing material. You then roll ink with a brayer over the surface of the block, place paper over it, and either print by hand or run it through a press. You can do complex things this way (for example, reduction linocuts), but the beauty of the process is that it is quick, simple, and direct.

A few years ago, I saw some prints that were classified as coming from etched linoleum blocks, and I loved the textures I saw in them. In the last few months, I've been trying to use this technique in my own studio, learning about it as one does these days from websites and YouTube videos. I've also had email exchanges with several pr…

A List of Every Drink in Hemingway's "The Sun Also Rises"

I first read Ernest Hemingway's 1926 novel "The Sun Also Rises" when I was a teenager, and immediately fell in love with it. For the last couple of years, I have had the incredible privilege of teaching a class based around Hemingway in Paris -- while living and teaching in Paris itself, close to the Boulevard du Montparnasse, where most of the action of the novel's first half takes place.

Of the many things that one notices about the book, the colossal amount of drinking is something that stands out. These people didn't just drink like fish: they drank like whales, as if the ocean they swam in was alcohol and they had set themselves the task of drinking the seas of the world dry of it. During my read-through of the book before class started last year, I tried to underline every mention of drink in the book. And now, purely in the interests of science, I am listing the entire menu of booze mentioned directly by name. Some preliminary observations:
Most of this is…