Skip to main content

Ancient American Sculpture

I took this picture in the Portland Art Museum a few weeks ago. These are three terracotta figures made in southern Mexico or central America, some time between 200 BCE and 400 CE. Meso-American art is one of my favourite things to look at in museums. They could not be more different from the sculpture produced in Greece and Rome during the same time period, but to me they are the equal of classical sculpture in their expressiveness.

NB: It's probably inaccurate to call them sculptures, because the anonymous craftsmen who created them may have done so for religious reasons. That is, they were creating figures for ritual use, rather than works of art. Though just as in Western art, there's no reason why those should be mutually exclusive.

Another thing: having worked on making my own little figures in clay recently, I have a deep appreciation for the skill it takes to make figures like this -- particularly feet and hands!

Popular posts from this blog

Restoring my Printing Press

I've just finished restoring and assembling my large etching press -- a six week process involving lots of rust removal, scrubbing with steel wool, and repainting. Here is a photo of the same kind of press from the Chicago Printmakers Collaborative: And here is a short YouTube video of me testing the press, making sure the motor still works after nearly seven years of lying in storage:

Brancusi in Plastic

Artist Mary Ellen Croteau is showing these columns made from recycled plastic cartons and lids in the window of the Columbia College bookstore on Michigan Avenue. They are a playful homage to Brancusi's "Endless Columns", with a serious environmental message for our times: Image copyright Inhabitat.com and Mary Ellen Croteau Mary Ellen also runs a wonderful experimental art gallery in a window space in west Chicago, called Art on Armitage . I will be exhibiting a mixed media piece there during August 2012.

How to etch a linoleum block

Linoleum as a material for printmaking has been used for nearly a hundred years now. Normally, you cut an image out using special gouges similar to woodcut tools, cutting away the lino around the image you want to print. This is called relief printmaking, because if you look at the block from the side, the material that remains stands up in relief from the backing material. You then roll ink with a brayer over the surface of the block, place paper over it, and either print by hand or run it through a press. You can do complex things this way (for example, reduction linocuts), but the beauty of the process is that it is quick, simple, and direct. Incised lino block, from me.redith.com Etched lino block, from Steve Edwards A few years ago, I saw some prints that were classified as coming from etched linoleum blocks, and I loved the textures I saw in them. In the last few months, I've been trying to use this technique in my own studio, learning about it as one does these d