Prints at the Grand Rapids Art Museum

If people go to Grand Rapids, Michigan, these days to see some art, it's usually to take in the DeVos-funded Art Prize that consumes the city every autumn. But by far the best art in the region is held at the Grand Rapids Art Museum. From the outside, the building does not look huge, but its three floors are currently displaying a refreshed hanging of works from its collections, and it's absolutely terrific. Every room has several great pieces. On this visit, I was pleased to see how many prints they were showing, starting with this woodcut by Ilya Schor.

Next, a soft ground etching by Magdalena Abakanowicz:

Then a huge multicoloured woodcut by Susan Rothenberg:

Now a bright lithograph by David Hockney:

A screenprint by Jacob Lawrence:

And finally, a lithograph by Alexander Calder, part of a small but excellent exhibition of prints in this medium:

If any of these names are unfamiliar to you, I strongly recommend you follow the links from their names, because they each left or are still creating substantial bodies of work in various forms of printmaking.

Restoring my Printing Press

I've just finished restoring and assembling my large etching press -- a six week process involving lots of rust removal, scrubbing with steel wool, and repainting. Here is a photo of the same kind of press from the Chicago Printmakers Collaborative: And here is a short YouTube video of me testing the press, making sure the motor still works after nearly seven years of lying in storage:

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Brancusi in Plastic

Artist Mary Ellen Croteau is showing these columns made from recycled plastic cartons and lids in the window of the Columbia College bookstore on Michigan Avenue. They are a playful homage to Brancusi's "Endless Columns", with a serious environmental message for our times: Image copyright Inhabitat.com and Mary Ellen Croteau Mary Ellen also runs a wonderful experimental art gallery in a window space in west Chicago, called Art on Armitage . I will be exhibiting a mixed media piece there during August 2012.

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How to etch a linoleum block

Linoleum as a material for printmaking has been used for nearly a hundred years now. Normally, you cut an image out using special gouges similar to woodcut tools, cutting away the lino around the image you want to print. This is called relief printmaking, because if you look at the block from the side, the material that remains stands up in relief from the backing material. You then roll ink with a brayer over the surface of the block, place paper over it, and either print by hand or run it through a press. You can do complex things this way (for example, reduction linocuts), but the beauty of the process is that it is quick, simple, and direct. Incised lino block, from me.redith.com Etched lino block, from Steve Edwards A few years ago, I saw some prints that were classified as coming from etched linoleum blocks, and I loved the textures I saw in them. In the last few months, I've been trying to use this technique in my own studio, learning about it as one does these d...

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