Skip to main content

Notes from Bath Spa, UK

Now we're in Bath Spa, the elegant Georgian city on the banks of the River Avon and the Avon canal. We're here for a conference about writing and mixed media art in the digital realm, at which I am presenting about The Lucerne Project, and at which Patty and I are running a joint workshop (together, not one where people smoke joints).

But even in this museum-like city, the old and the new jostle against each other. In the hallway of the hotel, outside our room, is this Blue Plaque:


And then in the main shopping street, we saw two young people doing some street-hip-hop-jazz, and very good they were at it, too:


Ladies and gentlemen, once again I give you: MODERN BRITAIN!

Comments

  1. As an encouraging mum, if I can say so myself, I had a nice time recently with my two kids to decorate their room in our new house that we just moved into. There were lots of the children's art work, made at home and school, that we happily put on the wall.
    Then we spent time together sitting in front of the iMac and looked through the big collection of digital images that wahooart.com had for their customers to select from and have printed as canvas prints. The kids together chose this painting for their room, Ivan Horse by Edmund Dulac, http://en.wahooart.com/A55A04/w.nsf/OPRA/BRUE-8LHRV2, that we ordered online to have delivered to our new house.

    ReplyDelete

Post a Comment

Popular posts from this blog

Brancusi in Plastic

Artist Mary Ellen Croteau is showing these columns made from recycled plastic cartons and lids in the window of the Columbia College bookstore on Michigan Avenue. They are a playful homage to Brancusi's "Endless Columns", with a serious environmental message for our times:

Mary Ellen also runs a wonderful experimental art gallery in a window space in west Chicago, called Art on Armitage. I will be exhibiting a mixed media piece there during August 2012.

How to etch a linoleum block

Linoleum as a material for printmaking has been used for nearly a hundred years now. Normally, you cut an image out using special gouges similar to woodcut tools, cutting away the lino around the image you want to print. This is called relief printmaking, because if you look at the block from the side, the material that remains stands up in relief from the backing material. You then roll ink with a brayer over the surface of the block, place paper over it, and either print by hand or run it through a press. You can do complex things this way (for example, reduction linocuts), but the beauty of the process is that it is quick, simple, and direct.


A few years ago, I saw some prints that were classified as coming from etched linoleum blocks, and I loved the textures I saw in them. In the last few months, I've been trying to use this technique in my own studio, learning about it as one does these days from websites and YouTube videos. I've also had email exchanges with several pr…

Retour a Paris

I'm back in Paris, teaching for the fourth consecutive year. During my most recent free weekend, I visited the Rodin Museum for the first time in more then twenty years. My visit coincided with the best weather so far -- bright and sunny and mild. The view of the Invalides from the gardens of the former Hotel Biron is spectacular:

 This summed up the experience of the museum, actually: the building being as deserving of admiration as the work displayed inside it. The rooms on the ground floor were full of these mouth watering combinations of belle epoque decoration and Rodin's writhing, muscular statuary:

Typically for me, the documentary material also caught my eye. Here is on the of the photos of Rodin using rooms in the hotel as a temporary studio, where he would entertain admirers, hangers on, and potential new clients (Rodin is seated at front-left):

The gardens surrounding the museum consist of sandy pathways leading through orderly bushes and topiary, interspersed with…