Skip to main content

Where were you when Picasso was shot?

Of course, Picasso wasn't shot. But he died forty years ago today (April 8th), and although I was very young at the time, I remember exactly what I was doing when I heard the news. I was eleven, I had returned home from school and was watching a British early evening kids' programme called "Blue Peter", and they announced that this very famous artist called Pablo Picasso had just died. They showed one of his paintings, and tried to talk about the picture and the whole event in a way that eleven year olds could understand. I don't remember what the picture was, but I think it was a Cubist painting, so the presenters did something right. I think this may have been the first time I ever encountered the name and the work of Picasso.

In honour of the great man, here's the Picasso painting that will always be the one I return to:
"Les Demoiselles d'Avignon," oil on canvas, 1907

Labels:

Popular posts from this blog

Restoring my Printing Press

I've just finished restoring and assembling my large etching press -- a six week process involving lots of rust removal, scrubbing with steel wool, and repainting. Here is a photo of the same kind of press from the Chicago Printmakers Collaborative: And here is a short YouTube video of me testing the press, making sure the motor still works after nearly seven years of lying in storage:
Click here to read more

Brancusi in Plastic

Artist Mary Ellen Croteau is showing these columns made from recycled plastic cartons and lids in the window of the Columbia College bookstore on Michigan Avenue. They are a playful homage to Brancusi's "Endless Columns", with a serious environmental message for our times: Image copyright Inhabitat.com and Mary Ellen Croteau Mary Ellen also runs a wonderful experimental art gallery in a window space in west Chicago, called Art on Armitage . I will be exhibiting a mixed media piece there during August 2012.
Click here to read more

How to etch a linoleum block

Linoleum as a material for printmaking has been used for nearly a hundred years now. Normally, you cut an image out using special gouges similar to woodcut tools, cutting away the lino around the image you want to print. This is called relief printmaking, because if you look at the block from the side, the material that remains stands up in relief from the backing material. You then roll ink with a brayer over the surface of the block, place paper over it, and either print by hand or run it through a press. You can do complex things this way (for example, reduction linocuts), but the beauty of the process is that it is quick, simple, and direct. Incised lino block, from me.redith.com Etched lino block, from Steve Edwards A few years ago, I saw some prints that were classified as coming from etched linoleum blocks, and I loved the textures I saw in them. In the last few months, I've been trying to use this technique in my own studio, learning about it as one does these d...
Click here to read more