So I overprinted some of the lithographs derived from images of machines and buildings from the place where I grew up, onto the surface of the cardboard buildings that I painted in black yesterday. I've got to say, they came out even better than I had hoped. With the larger one, I decided to leave some gaps to make the effect more striking. When this technique works, there's nothing quite like it.
I've just finished restoring and assembling my large etching press -- a six week process involving lots of rust removal, scrubbing with steel wool, and repainting. Here is a photo of the same kind of press from the Chicago Printmakers Collaborative: And here is a short YouTube video of me testing the press, making sure the motor still works after nearly seven years of lying in storage: