Artist Philip Hartigan talks about art, interviews other artists, and more
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Rare footage of Auguste Rodin
I went back to the excellent YouTube channel by nickwallacesmith for this rare footage of Auguste Rodin, shot some time around World War I. The actual moving images start around the 30 second mark, with film of him hammering a little at a sculpture after that. What's funny about some of this is that you get a clear sense of this old artist, born many decades before the invention of moving pictures, really not caring a whole lot about this camera business. "You want me to come out of the door, walk back and forth, then go back in? Take a step towards the camera? And another one? Really?"
It's really great. I hope you love this sort of thing as much as I do.
This is another post where I talk about my own research into how to obtain the best results from non-toxic etching materials -- specifically, the Baldwin Intaglio Ground. This is a form of etching resist developed by printmaker Andrew Baldwin, from the UK, as a non-toxic alternative to the nasty chemicals contained in traditional hard ground and soft ground resists. It comes in a tube, and when you squeeze some out onto an inking slab it looks like etching ink. You roll it onto the copper plate with a brayer, as if you were inking a relief block, in contrast to the traditional hard grounds, which are either melted onto the plate or poured on as a liquid hard ground. Applying the BIG to make a hard ground is relatively easy. Using it as a soft ground can be quite tricky, and it has taken me many tries and many failures to achieve a satisfactory etch.
The main problem, unfortunately, is the lack of specific instructions in preparing the BIG soft ground. Andrew Baldwin has some excellen…
I first read Ernest Hemingway's 1926 novel "The Sun Also Rises" when I was a teenager, and immediately fell in love with it. For the last couple of years, I have had the incredible privilege of teaching a class based around Hemingway in Paris -- while living and teaching in Paris itself, close to the Boulevard du Montparnasse, where most of the action of the novel's first half takes place.
Of the many things that one notices about the book, the colossal amount of drinking is something that stands out. These people didn't just drink like fish: they drank like whales, as if the ocean they swam in was alcohol and they had set themselves the task of drinking the seas of the world dry of it. During my read-through of the book before class started last year, I tried to underline every mention of drink in the book. And now, purely in the interests of science, I am listing the entire menu of booze mentioned directly by name. Some preliminary observations: Most of this is…
Artist Mary Ellen Croteau is showing these columns made from recycled plastic cartons and lids in the window of the Columbia College bookstore on Michigan Avenue. They are a playful homage to Brancusi's "Endless Columns", with a serious environmental message for our times:
Mary Ellen also runs a wonderful experimental art gallery in a window space in west Chicago, called Art on Armitage. I will be exhibiting a mixed media piece there during August 2012.