Skip to main content

Two London artists

On Friday and Saturday, I visited the studios of two artists in Hackney, London, to interview them about their work and to take photos of their studios. One of them, Herve Constant, I know from the 1990s, and in fact his studio is still in the same building where I had a studio back then:


The other, Dragica Carlin, I was put in touch with through a friend in New York, the painter Alan Sundberg. Neither Alan nor I knew that Dragica's studio was only a couple of hundred yards away from Herve's:


They were both born outside England - France in Herve's case, Croatia for Dragica - though they both now call London home. Their work is different, but they both had similarly fascinating things to say about art in general and their own process in particular. In the next few weeks, I will post transcript interviews based on the hours of recorded interview that I made.

 Subscribe to Praeterita in a reader

Comments

  1. I found London artist as talented, professional, creative and passionate.

    ReplyDelete

Post a Comment

Popular posts from this blog

Soft Ground Etching with Baldwin Intaglio Ground

This is another post where I talk about my own research into how to obtain the best results from non-toxic etching materials -- specifically, the Baldwin Intaglio Ground. This is a form of etching resist developed by printmaker Andrew Baldwin, from the UK, as a non-toxic alternative to the nasty chemicals contained in traditional hard ground and soft ground resists. It comes in a tube, and when you squeeze some out onto an inking slab it looks like etching ink. You roll it onto the copper plate with a brayer, as if you were inking a relief block, in contrast to the traditional hard grounds, which are either melted onto the plate or poured on as a liquid hard ground. Applying the BIG to make a hard ground is relatively easy. Using it as a soft ground can be quite tricky, and it has taken me many tries and many failures to achieve a satisfactory etch.

The main problem, unfortunately, is the lack of specific instructions in preparing the BIG soft ground. Andrew Baldwin has some excellen…

A List of Every Drink in Hemingway's "The Sun Also Rises"

I first read Ernest Hemingway's 1926 novel "The Sun Also Rises" when I was a teenager, and immediately fell in love with it. For the last couple of years, I have had the incredible privilege of teaching a class based around Hemingway in Paris -- while living and teaching in Paris itself, close to the Boulevard du Montparnasse, where most of the action of the novel's first half takes place.

Of the many things that one notices about the book, the colossal amount of drinking is something that stands out. These people didn't just drink like fish: they drank like whales, as if the ocean they swam in was alcohol and they had set themselves the task of drinking the seas of the world dry of it. During my read-through of the book before class started last year, I tried to underline every mention of drink in the book. And now, purely in the interests of science, I am listing the entire menu of booze mentioned directly by name. Some preliminary observations:
Most of this is…

Brancusi in Plastic

Artist Mary Ellen Croteau is showing these columns made from recycled plastic cartons and lids in the window of the Columbia College bookstore on Michigan Avenue. They are a playful homage to Brancusi's "Endless Columns", with a serious environmental message for our times:

Mary Ellen also runs a wonderful experimental art gallery in a window space in west Chicago, called Art on Armitage. I will be exhibiting a mixed media piece there during August 2012.