Skip to main content

Calling all Writers and Printmakers (1)

(Reposting this from the Page listed above:) I will be teaching two workshops at Interlochen Arts Academy in northern Michigan in June 2012. Famous as an arts high school that turns out world-class musicians, Interlochen is now running summer classes for adults, and it is a beautiful place to spend a week learning new skills or refreshing your creative spirits.

Journal & Sketchbook

Offered as part of the Writers' Retreat, this class is designed for writers and artists of any level who want to see and record memories, observations, imaginings, stories, through writing and expressive mark-making. Co-taught with writer Patricia Ann McNair, Associate Professor in the Fiction Writing Department of Columbia College Chicago. These intimate workshops take place in Interlochen's beautiful writing house (shown at right).

Here is a slideshow of people at last year's workshop, with some of the work they produced in class:

Details: Class runs June 18-21; $475 non-member tuition. For full information, go to the Interlochen Writers' Retreat website.

Solar plate etching/reduction linocut

Participants of this workshop will have a chance to create prints using two printmaking techniques: solar plate etching and reduction linocut. This class is for beginners and experienced students alike.

Solar plate etching is a completely non-toxic innovation in printmaking that retains the rich range of intaglio mark making. Learn how to make traditional intaglio etchings without any acids or chemicals, using only the power of the sun. Reduction linocut, first developed by Picasso, involves successively cutting away portions of the linoleum block after you have printed from the block in each color (reducing the block after each stage).
The course covers selecting suitable imagery, transferring the image to the linoleum block, managing the cutting and proofing stages, and correct registration of paper and block to get accurately aligned prints.

Slideshow from past linocut classes that I taught at Interlochen:

Details: Class runs June 25-29; $450 per person. For full information, go to the Interlochen College of Creative Arts page.

Popular posts from this blog

Restoring my Printing Press

I've just finished restoring and assembling my large etching press -- a six week process involving lots of rust removal, scrubbing with steel wool, and repainting. Here is a photo of the same kind of press from the Chicago Printmakers Collaborative: And here is a short YouTube video of me testing the press, making sure the motor still works after nearly seven years of lying in storage:

Brancusi in Plastic

Artist Mary Ellen Croteau is showing these columns made from recycled plastic cartons and lids in the window of the Columbia College bookstore on Michigan Avenue. They are a playful homage to Brancusi's "Endless Columns", with a serious environmental message for our times: Image copyright and Mary Ellen Croteau Mary Ellen also runs a wonderful experimental art gallery in a window space in west Chicago, called Art on Armitage . I will be exhibiting a mixed media piece there during August 2012.

How to etch a linoleum block

Linoleum as a material for printmaking has been used for nearly a hundred years now. Normally, you cut an image out using special gouges similar to woodcut tools, cutting away the lino around the image you want to print. This is called relief printmaking, because if you look at the block from the side, the material that remains stands up in relief from the backing material. You then roll ink with a brayer over the surface of the block, place paper over it, and either print by hand or run it through a press. You can do complex things this way (for example, reduction linocuts), but the beauty of the process is that it is quick, simple, and direct. Incised lino block, from Etched lino block, from Steve Edwards A few years ago, I saw some prints that were classified as coming from etched linoleum blocks, and I loved the textures I saw in them. In the last few months, I've been trying to use this technique in my own studio, learning about it as one does these d