Skip to main content

Deborah Doering and the Keiskamma artists revisited

A few months ago, I wrote about a project by a friend of mine, artist Deborah Doering, who was starting a collaboration with the Keiskamma artists in South Africa. These artists, mainly women, started making art several years ago in order to raise money for an AIDS clinic in Hamburg, which is in a valley right on the Indian Ocean between Port Elizabeth and East London. Deborah has just returned from a 15 day trip to begin the project. She was accompanied by Dr. Grace Carreon, shown in the following photos of the clinic:
After making a presentation to the lead artists in the community (there are about 150 artists there altogether), Deborah then began collaborating with the local artists on making a series of paintings that combine Deborah's abstract symbology with patterns that occur in their work:
There are paintings on the ceiling because as they worked, they began to see the resemblance between Deborah's forms and night constellations. After working for a few days together, the Keiskamma artists began to make embroidered work using Deborah's symbols. The following photo shows this work side by side with their more traditional embroidery:
Before she returned, Deborah and the Keiskamma artists agreed to work together to create a tapestry, which will start from the small paintings on paper. I am assuming that proceeds from any future sales of the work will go back into the community.

It's a fascinating project, and I admire Deborah for making the trip of 8,600 miles each way. That shows commitment. She intends to go back for a longer period to do a full residency and collaboration. If you want to keep up with the project, check in from time to time at Deborah's website, www.deborahdoering.com.
 Subscribe to Praeterita in a reader

Popular posts from this blog

Restoring my Printing Press

I've just finished restoring and assembling my large etching press -- a six week process involving lots of rust removal, scrubbing with steel wool, and repainting. Here is a photo of the same kind of press from the Chicago Printmakers Collaborative: And here is a short YouTube video of me testing the press, making sure the motor still works after nearly seven years of lying in storage:

Brancusi in Plastic

Artist Mary Ellen Croteau is showing these columns made from recycled plastic cartons and lids in the window of the Columbia College bookstore on Michigan Avenue. They are a playful homage to Brancusi's "Endless Columns", with a serious environmental message for our times: Image copyright Inhabitat.com and Mary Ellen Croteau Mary Ellen also runs a wonderful experimental art gallery in a window space in west Chicago, called Art on Armitage . I will be exhibiting a mixed media piece there during August 2012.

How to etch a linoleum block

Linoleum as a material for printmaking has been used for nearly a hundred years now. Normally, you cut an image out using special gouges similar to woodcut tools, cutting away the lino around the image you want to print. This is called relief printmaking, because if you look at the block from the side, the material that remains stands up in relief from the backing material. You then roll ink with a brayer over the surface of the block, place paper over it, and either print by hand or run it through a press. You can do complex things this way (for example, reduction linocuts), but the beauty of the process is that it is quick, simple, and direct. Incised lino block, from me.redith.com Etched lino block, from Steve Edwards A few years ago, I saw some prints that were classified as coming from etched linoleum blocks, and I loved the textures I saw in them. In the last few months, I've been trying to use this technique in my own studio, learning about it as one does these d...