Skip to main content

On the luminaries for the public art project

I'm going to Mineral Point Wisconsin today for the weekend Journal and Sketchbook workshop. Before I go, I thought I'd post the final Photoshopped rendering of the luminaries for the Carroll County Community Memoir project, as they will be installed in front of the Owen Miles Museum at the end of October:
A lot of people from Carroll County have been contributing photos on the Facebook page this week, so it's all coming together nicely.

UPDATE: Here is the text of the press release.

FOR IMMEDIATE RELEASE

Illuminating the Past: Chicago Artist and Writer Collaborate on Giant Luminary Project in Rural Illinois

MOUNT CARROLL, Illinois, September 30th, 2010---Imagine the luminaries that light up gardens and paths during fall festivals. Now imagine a series of luminaries six feet high, lit from within by a solar light fitted into the top. These impressive structures have been created by Chicago artist Philip Hartigan, working with local craftsmen in Carroll County, Illinois (about 140 miles west of Chicago) for a public art project to be unveiled at the Owen P. Miles Museum, 107 West Broadway, Mount Carroll, Illinois, on Saturday, October 30th, 2010.

Hartigan collaborated with Chicago writer Patricia Ann McNair to gather family photos from residents of Carroll County which will be printed on the sides of the luminaries. In a series of workshops conducted during summer 2010, participants wrote one-line memories associated with the photos. A line from each participant will be printed with their photo on the luminary, to create a temporary monument to community and memory.

Hartigan and McNair planned the project with the Carroll County Historical Society, which operates the Owen P. Miles Museum, in Mount Carroll, IL, where most of the community workshops were held. Residents could also contribute photos and memories via a Facebook page ('Carroll County Illinois Community Memoir Project'). Two public libraries in Carroll County also opened their doors to the workshops, which were attended by people ranging in age from 11 to 90. The project was sponsored in part by a faculty development grant from Columbia College Chicago, where McNair and Hartigan both teach. Part of the grant will be used to create an artist's book containing all the photos and writing produced by the project participants. This book will be donated to the Carroll County Historical Society.

The luminaries will be installed on the lawns outside the Owen P. Miles Museum--a majestic 1873 Italianate-style building--and project participants from Carroll County will take part in readings from their memoir material at the Museum. The unveiling ceremony and project readings take place at 6 pm on Saturday, October 30th, 2010, at the Owen P. Miles Museum, Mount Carroll, IL. For information about attending, contact Philip Hartigan at 1-312-342-1296, philipanthonyhartigan@gmail.com. For more information about the project, including high-resolution images and full artists' bios, go to www.philiphartigan.com/philip_hartigan_2_013.htm.

###END###

 Subscribe to Praeterita in a reader

Popular posts from this blog

Restoring my Printing Press

I've just finished restoring and assembling my large etching press -- a six week process involving lots of rust removal, scrubbing with steel wool, and repainting. Here is a photo of the same kind of press from the Chicago Printmakers Collaborative: And here is a short YouTube video of me testing the press, making sure the motor still works after nearly seven years of lying in storage:

Brancusi in Plastic

Artist Mary Ellen Croteau is showing these columns made from recycled plastic cartons and lids in the window of the Columbia College bookstore on Michigan Avenue. They are a playful homage to Brancusi's "Endless Columns", with a serious environmental message for our times: Image copyright Inhabitat.com and Mary Ellen Croteau Mary Ellen also runs a wonderful experimental art gallery in a window space in west Chicago, called Art on Armitage . I will be exhibiting a mixed media piece there during August 2012.

How to etch a linoleum block

Linoleum as a material for printmaking has been used for nearly a hundred years now. Normally, you cut an image out using special gouges similar to woodcut tools, cutting away the lino around the image you want to print. This is called relief printmaking, because if you look at the block from the side, the material that remains stands up in relief from the backing material. You then roll ink with a brayer over the surface of the block, place paper over it, and either print by hand or run it through a press. You can do complex things this way (for example, reduction linocuts), but the beauty of the process is that it is quick, simple, and direct. Incised lino block, from me.redith.com Etched lino block, from Steve Edwards A few years ago, I saw some prints that were classified as coming from etched linoleum blocks, and I loved the textures I saw in them. In the last few months, I've been trying to use this technique in my own studio, learning about it as one does these d...