Skip to main content

Interlochen Writer's Retreat: Day 1

On day 1 of the Journal & Sketchbook class here at the Interlochen Writer's Retreat, we had people out and drawing within 20 minutes of the first class starting:


There are lots of flowers around here, by the way:


We have 6 participants for this class, which is a nice number. At least 3 have either passed through Columbia College, teach at Columbia College, or both. But the three other participants brought their own experience, professional and personal, to the class, too. Everyone jumped right in when we did the quick drawing activity. Here's a selection of some drawings:




Click on any image to embiggen it.

Once again, the range of gestural mark-making that comes out of people who say they cannot draw is pretty amazing. We turned immediately from the drawing to the writing, and it was also striking during a short read-back afterwards to hear how the writing was filled with a heightened visual sense.

 Subscribe to Praeterita in a reader

Comments

Popular posts from this blog

Brancusi in Plastic

Artist Mary Ellen Croteau is showing these columns made from recycled plastic cartons and lids in the window of the Columbia College bookstore on Michigan Avenue. They are a playful homage to Brancusi's "Endless Columns", with a serious environmental message for our times:

Mary Ellen also runs a wonderful experimental art gallery in a window space in west Chicago, called Art on Armitage. I will be exhibiting a mixed media piece there during August 2012.

How to etch a linoleum block

Linoleum as a material for printmaking has been used for nearly a hundred years now. Normally, you cut an image out using special gouges similar to woodcut tools, cutting away the lino around the image you want to print. This is called relief printmaking, because if you look at the block from the side, the material that remains stands up in relief from the backing material. You then roll ink with a brayer over the surface of the block, place paper over it, and either print by hand or run it through a press. You can do complex things this way (for example, reduction linocuts), but the beauty of the process is that it is quick, simple, and direct.


A few years ago, I saw some prints that were classified as coming from etched linoleum blocks, and I loved the textures I saw in them. In the last few months, I've been trying to use this technique in my own studio, learning about it as one does these days from websites and YouTube videos. I've also had email exchanges with several pr…

On looking through old sketchbooks: 18

"Drawing is like making an expressive gesture with the advantage of permanence." -- Henri Matisse.

Subscribe to Praeterita in a reader