Skip to main content

A Literary Series

My blog recommendation for today is "The Temple of Air", by writer Patricia Ann McNair (disclosure: she's my wife). That's the name of the site, which is named after her hot new book of short stories (which just got a great review in Booklist). On the blog page of the site, Patty has been running a series for several months entitled "A View from the Keyboard". She asked writers to send her a picture of their writing space, to write something about it, and to provide an excerpt from some writing in progress. The latest view from the keyboard is from writer Michael Downs.

If you're a writer and want to submit to the series, here is the link for the guidelines.

 Subscribe to Praeterita in a reader


Popular posts from this blog

How to etch a linoleum block

Linoleum as a material for printmaking has been used for nearly a hundred years now. Normally, you cut an image out using special gouges similar to woodcut tools, cutting away the lino around the image you want to print. This is called relief printmaking, because if you look at the block from the side, the material that remains stands up in relief from the backing material. You then roll ink with a brayer over the surface of the block, place paper over it, and either print by hand or run it through a press. You can do complex things this way (for example, reduction linocuts), but the beauty of the process is that it is quick, simple, and direct.

A few years ago, I saw some prints that were classified as coming from etched linoleum blocks, and I loved the textures I saw in them. In the last few months, I've been trying to use this technique in my own studio, learning about it as one does these days from websites and YouTube videos. I've also had email exchanges with several pr…

Brancusi in Plastic

Artist Mary Ellen Croteau is showing these columns made from recycled plastic cartons and lids in the window of the Columbia College bookstore on Michigan Avenue. They are a playful homage to Brancusi's "Endless Columns", with a serious environmental message for our times:

Mary Ellen also runs a wonderful experimental art gallery in a window space in west Chicago, called Art on Armitage. I will be exhibiting a mixed media piece there during August 2012.

I Did Nazi This Coming

Metropolitan Opera, New York: Parsifal Act III
Despite being a lifelong lover of and listener to opera, I've never had the ear for Wagner's music. I love hearing everything from Gluck up to John Adams, but skirted around or jumped over Wagner whenever the temptation presented itself.

I used the provocative 'N' word in the title of this post because one of the things that has always made me wary of the Bard of Bayreuth is the stain laid on it by its National Socialist admirers. That's not the only reason.

Reasons why I never liked Wagner:
The enormous length of his operas, often five hours plus. And my objection was not to the length per se, but to what it said about his musical language. For example, if like me you are steeped in Mozart's operative language, with its brilliance and variety and liveliness, Wagner's music can seem turgid and static by comparison.
The ridiculous medieval stories. Given the chance to watch Mozart or Puccini or Richard Strauss…