Skip to main content

Back to the Studio

So I haven't been to my studio in a month, and have probably spent only three full days there in the last six weeks, what with finishing off the public art project, and ending the semester of teaching at Columbia College. After such a long absence, I got down to work straight away, and after several hours, the result was this:


That's right: absolutely nothing of any worth at all.

I try not to get too despondent about the bad days any more. It's good to be back in the studio again, and to get the bad stuff out of the way so that something better can arrive.

Comments

  1. as frustrating as that is, i have to say it's comforting to hear that other artists don't spend as much time in their studio as they'd like to. i can waste a lot of mental energy beating myself up about not having enough studio time when life gets in the way, but this gives me the perspective i need to be a little kinder to myself. saw your post after this one and glad to see your bad day was followed by a good one.

    ReplyDelete

Post a Comment

Popular posts from this blog

On my 300th blog post

Crikey!

It's my 300th blog post. And I seem to remember that in my 200th blog post I said that I would start quoting from John Ruskin's "Praeterita", after which this blog was named. Well, better late then never, so quotation number 2 is below.

First, though, some thoughts on this blog and blogging in general. I started Praeterita at the end of last year after reading a book by an art-marketing guru called Alyson Stansfield that recommended it as a means for artists to publicise their work better. But from the start I thought it would be more interesting to talk in a discursive way about my wider interest in art, and artists, and the history of art. After a desultory beginning where I only posted once a week, my blogging habit has now grown to the point where I am posting sometimes twice a day, and more than 45 times per month (helped enormously by the Blogger feature that lets you save blog posts with a post-dated timestamp, so that you can put posts in the bank to …

My worst open studio

Most open studios are notable for nothing really happening. You sit there waiting for people to come into your studio, eat all your nibbles and guzzle the free drink, and then leave after a cursory glance at your work. Usually, the worst thing that happens is that you get stuck in a boring conversation with a dull person,

But there was one time a few years ago when I got into one of these conversations, and quite quickly the person I was talking to started to make homophobic remarks about another artist in the building. After a few minutes, I decided I'd had enough and asked him to leave. He seemed genuinely surprised that I had any objection to what he was saying, which in retrospect makes me even angrier if he thought he had a sympathetic ear.

He asked me why, and I told him I didn't like people talking that way, and I said: "This conversation ended 30 seconds ago." So he left.

So, nothing dramatic like Jackson Pollock getting drunk in a fancy New York apartment a…

Van Gogh on Degas

From a letter dated July 31, 1888:
“Why do you say Degas can’t get it up properly? Degas lives like some petty lawyer and doesn’t like women, knowing very well that if he did like them and bedded them frequently, he’d go to seed and be in no position to paint any longer. The very reason why Degas’s painting is virile and impersonal is that he has resigned himself to being nothing more than a petty lawyer with a horror of kicking over the traces. He observes human animals who are stronger than him screwing and f—ing away and he paints them so well for the very reason that he isn’t all that keen on it himself.”
Subscribe to Praeterita in a reader