Skip to main content

Frieze Fatigue

From Hyperallergic:


A 360 view of one of the Frieze's many indoor open spaces (all photos by Hrag Vartanian for Hyperallergic) (click to enlarge)
"I love to look at art. Ever since I moved to New York, I have made a conscious effort to gradually build-up my art viewing stamina. When I first moved here, a quick trip to Chelsea would leave me overwhelmed and tired, my feet would hurt, my back would ache and my eyes would burn. Today, I am proud to report that when I have the time, I can happily go to Chelsea at 10am, stay till 6pm and have enough juice left over to go to a few openings and have a few drinks — I consider this a major accomplishment..."

Read more

Popular posts from this blog

Restoring my Printing Press

I've just finished restoring and assembling my large etching press -- a six week process involving lots of rust removal, scrubbing with steel wool, and repainting. Here is a photo of the same kind of press from the Chicago Printmakers Collaborative: And here is a short YouTube video of me testing the press, making sure the motor still works after nearly seven years of lying in storage:
Click here to read more

Brancusi in Plastic

Artist Mary Ellen Croteau is showing these columns made from recycled plastic cartons and lids in the window of the Columbia College bookstore on Michigan Avenue. They are a playful homage to Brancusi's "Endless Columns", with a serious environmental message for our times: Image copyright Inhabitat.com and Mary Ellen Croteau Mary Ellen also runs a wonderful experimental art gallery in a window space in west Chicago, called Art on Armitage . I will be exhibiting a mixed media piece there during August 2012.
Click here to read more

How to etch a linoleum block

Linoleum as a material for printmaking has been used for nearly a hundred years now. Normally, you cut an image out using special gouges similar to woodcut tools, cutting away the lino around the image you want to print. This is called relief printmaking, because if you look at the block from the side, the material that remains stands up in relief from the backing material. You then roll ink with a brayer over the surface of the block, place paper over it, and either print by hand or run it through a press. You can do complex things this way (for example, reduction linocuts), but the beauty of the process is that it is quick, simple, and direct. Incised lino block, from me.redith.com Etched lino block, from Steve Edwards A few years ago, I saw some prints that were classified as coming from etched linoleum blocks, and I loved the textures I saw in them. In the last few months, I've been trying to use this technique in my own studio, learning about it as one does these d
Click here to read more