Skip to main content

Day 44 (b): A discovery

When I was in the studio on Monday, I found a set of prints from more than a year ago that I'd completely forgotten about. They deal with the same imagery of coal mountains, mixed with gestural marks transcribed from my sketchbooks:


Some of them began with a rainbow roll, which is applied by picking up two colours of ink on a brayer and rolling them onto the printing plate to create a blended tone. Then I overprinted a paper-litho transfer image and a collagraph image, and in the case of the one shown above, a monoprint of white acrylic paint.

So the question I ask myself is: would it be so bad if the paintings looked like these?

Here's a few more in a Picasa web album:


 Subscribe to Praeterita in a reader

Comments

  1. Well Phillip
    its been a pleasant and educative surprise to find that as well as writing about art and artists that you do actually make art - as a printmaker I have particularly enjoyed reading through these posts of yours on collagraphs. Love the one above with the rainbow roll. Just thinking that that would make a great idea for incorporating in a large print of mine. I do know these things but its like there are so many options that you sometimes forget to include these possibilities. Thanks for the inspiration.
    best wishes
    Aine Scannell

    ReplyDelete

Post a Comment

Popular posts from this blog

Brancusi in Plastic

Artist Mary Ellen Croteau is showing these columns made from recycled plastic cartons and lids in the window of the Columbia College bookstore on Michigan Avenue. They are a playful homage to Brancusi's "Endless Columns", with a serious environmental message for our times:

Mary Ellen also runs a wonderful experimental art gallery in a window space in west Chicago, called Art on Armitage. I will be exhibiting a mixed media piece there during August 2012.

How to etch a linoleum block

Linoleum as a material for printmaking has been used for nearly a hundred years now. Normally, you cut an image out using special gouges similar to woodcut tools, cutting away the lino around the image you want to print. This is called relief printmaking, because if you look at the block from the side, the material that remains stands up in relief from the backing material. You then roll ink with a brayer over the surface of the block, place paper over it, and either print by hand or run it through a press. You can do complex things this way (for example, reduction linocuts), but the beauty of the process is that it is quick, simple, and direct.


A few years ago, I saw some prints that were classified as coming from etched linoleum blocks, and I loved the textures I saw in them. In the last few months, I've been trying to use this technique in my own studio, learning about it as one does these days from websites and YouTube videos. I've also had email exchanges with several pr…

A List of Every Drink in Hemingway's "The Sun Also Rises"

I first read Ernest Hemingway's 1926 novel "The Sun Also Rises" when I was a teenager, and immediately fell in love with it. For the last couple of years, I have had the incredible privilege of teaching a class based around Hemingway in Paris -- while living and teaching in Paris itself, close to the Boulevard du Montparnasse, where most of the action of the novel's first half takes place.

Of the many things that one notices about the book, the colossal amount of drinking is something that stands out. These people didn't just drink like fish: they drank like whales, as if the ocean they swam in was alcohol and they had set themselves the task of drinking the seas of the world dry of it. During my read-through of the book before class started last year, I tried to underline every mention of drink in the book. And now, purely in the interests of science, I am listing the entire menu of booze mentioned directly by name. Some preliminary observations:
Most of this is…