When I was in the studio on Monday, I found a set of prints from more than a year ago that I'd completely forgotten about. They deal with the same imagery of coal mountains, mixed with gestural marks transcribed from my sketchbooks:
Some of them began with a rainbow roll, which is applied by picking up two colours of ink on a brayer and rolling them onto the printing plate to create a blended tone. Then I overprinted a paper-litho transfer image and a collagraph image, and in the case of the one shown above, a monoprint of white acrylic paint.
So the question I ask myself is: would it be so bad if the paintings looked like these?
Here's a few more in a Picasa web album:
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Some of them began with a rainbow roll, which is applied by picking up two colours of ink on a brayer and rolling them onto the printing plate to create a blended tone. Then I overprinted a paper-litho transfer image and a collagraph image, and in the case of the one shown above, a monoprint of white acrylic paint.
So the question I ask myself is: would it be so bad if the paintings looked like these?
Here's a few more in a Picasa web album: